Tag Archives: LACMA

LACMA showcases stanley kubrick’s modernism

05.22.13
Design, Travel

I shared highlights of my day at Los Angeles County Museum of Art with you here. But–sneaky me–I reserved a special morsel till now: the Stanley Kubrick exhibit. On display through June 30, this multimedia look at the late director’s career features film clips, movie posters, original costumes and props, production photos, story boards, and much more. While Andrea hovered mesmerized over a backlit display of movie lenses (my husband’s a gearhead), I did inner cartwheels over the modern furnishings and props from 2001: A Space Odyssey. I last saw the movie in college, and my strongest memories are of HAL 9000, the eerily soft-spoken computer that undermines the mission. I’m excited to watch 2001 again, primed to spot organic seating, Danish flatware, and futuristic timepieces.

The Djinn loveseat and chair, designed by Olivier Mourgue in 1965, are better known as “2001 chairs” because of their prominent appearance in the film.
Production photo of the space hotel, where scarlet Djinn chairs and loveseats provide the only pops of color.
The Discovery I astronauts dine in style with Arne Jacobsen’s minimal flatware.
Kubrick commissioned Hamilton to design substantial-but-sleek watch props for the 2001 flight crew.

my favorite modern exhibits at LACMA

05.17.13
Design, Travel

Last weekend we balanced our flea market marathon with a trip to the Los Angeles County Museum of Art. I had heard good reviews, but nothing specific. I wasn’t prepared to see important works, icons of modernism, that confronted us before we even made it inside! Here are my favorite moments.

On our way to the ticket window, we fell into trance watching three Alexander Calder mobiles in a lovely water garden.
Next we walked through Michael Heizer’s “Levitated Mass” installation, a mashup of primitive boulder art and modern engineering.
We spent several minutes in the courtyard watching these kids play with “Penetrabile,” by Jesús Rafael Soto. This little girl’s broken arm didn’t hold her back one bit!
Just after entering, we wound through Tony Smith’s monumental “Smoke.”
I’m in love with the color combination in Matisse’s ceramic “La Gerbe.” A local couple commissioned it for their patio in the 60s.
Didn’t expect to turn a corner and run into Josef Albers’s “Homage to the Square” paintings.
Looking closely at Lichtenstein’s “Cold Shoulder,” I was surprised to see many pencil marks and paint smudges. I always assumed that his imitations of mechanical printing were extremely precise. This discovery made me feel I could ease up a bit on my own perfectionism.

 

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