Just my luck–Jennifer Sams moved City Issue two blocks from my duplex in Inman Park just before I split for Decatur! Maybe a few extra miles between me and this vintage collective is for the best, because otherwise I might be broke (but very rich in furnishings). As the only freestanding midcentury specialist in Atlanta, City Issue is one of my all-time favorite boutiques, so of course I featured it on my Best Atlanta Vintage art print.
A full-time vintage dealer since 2000, Jennifer has enviable knowledge of the modern design movement and cross-country experience with finding exquisite pieces. Tuesday I photographed her shop and asked her to dish on topics to titillate midcentury superfans like me: her favorite cities for antiquing, the best buys for starting a collection, and more!
Q: If the shop were on fire and you could save only one item, what would you choose?
A: “It changes every day! Of course I wouldn’t be able to toss this over my shoulder, but we just got in a really gorgeous Jens Risom desk and credenza–he’s one of my favorite designers. It has these Y-shaped pulls you don’t see very often that are very sculptural. And I just love his pieces anyway because they’re oiled walnut, which is my very favorite finish of any wood.”
Q: What are good buys today for someone who wants to begin a modern collection?
A: “I personally think the classics will hold their value–and that’s the Herman Miller, the Knoll–really, the first generation of designers of the midcentury modern. Now, that said, those pieces are really expensive right now; we’re at a high point in the market because there’s so much interest in it. As far as good values, I [recommend] peeling back the layers and finding some of the more important but obscure designers. . . Some of the glass and accessory designers from that time period aren’t necessarily as iconic as the Eames and Saarinen. Something I’ve really seen grow, but you can still luck into cool pieces at good prices, is Blenko glass, much of it designed by Wayne Husted. . . . There was a designer for Holmegaard, Per Lutken, his pieces are very simple–some of them are still in production–but the early ones are signed and numbered. They’re beautiful, simple, blown glass or crystal in clear, smoked gray, or pale blue–not like Blenko with the bright colors. His style is very recognizable, but his name isn’t so huge that people are out searching for it yet.”
Q: What item can you never resist picking up on a buying trip?
A: “I personally have a fetish for nutty serving pieces. No matter what classic furniture pieces are there, [I buy] serving pieces that have wood handles–usually rosewood or teak. There were so many pieces of beautifully designed barware from the midcentury. I always hunt for that . . . and a lot of times it goes to my house. I use that stuff like crazy!”
Q: What are your favorite cities for antiquing?
A: Her top choice is High Point, NC, because furniture companies like Drexel and Thayer Coggin manufactured there, so “the area is really rich in midcentury products.” She also unearths treasures regularly in Grand Rapids, Tampa, and Miami.
Q: What resources do you recommend for people who want to learn about modernism and how to identify pieces?
A: “I wish there was one nice big fat textbook, but unfortunately there’s not.” For her own research, she uses a combination of books (especially published by Taschen and Schiffer), magazines such as Atomic Ranch and Modernism, and the internet. “I keep an eye open for good exhibitions at museums,” she adds. “Sometimes I even plan travel around them, because seeing good pieces in person takes learning to a different level for me.”
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